Words

Monday, October 18, 2010

CLOSER TO LIFE

CLOSER

I watched this movie over the internet nearly six years after its release and I’m very sorry for myself for having delayed it so much. Closer took my ideals about love and emotional attachment to another level, in the sense it quite exposed the actual want and outlook of human love and feeling rather than the mostly clichéd portrayal of the same. Usually when we see a movie which comes under the genre, romance and drama, we quite often find that the emotions or feelings about love between two people are exposed in a manner which we think is what exactly happens in real life, but sadly it is not so in most cases. Closer, directed by Mike Nichols makes us understand the true nature of human relationships in a diverse and solid style by staying loyal to the real human psychology. Well to start with, this movie involves four people (just four) and how their lives are interlinked by this tricky and invisible rope called love. This rope plays a game with them and finally complicates their life with a near irreparable result. The actors in particular, brought immense life to each character, especially Julia Roberts with her surprisingly young looks, less talking and more of expressions. I did feel rather irritated sometimes with Clive Owen’s whining and begging, maybe because I’m not used to seeing him in those shoes. The dialogues between Jude law and Natalie Portman are very interesting and intelligently crafted and both have done a great job. Some scenes in particular were very intriguing like the confrontation between Anna(Julia Roberts) and Larry(Clive Owen) and the final exchange between Dan(Jude law) and Larry is extremely real. Like every other movie Closer has got its demerits too. The story could have been organised in a more understandable manner, For example, half way through the movie you tend to get confused about who is with whom and maybe even jump to a conclusion of Larry being gay, like I did. Otherwise I felt the movie was perfectly fine with wonderful acting and appreciable music with one of a kind direction. Closer is definitely a must watch for all those who have got bored of or rather hate watching the usual romance of Harry and Sally.

Sunday, October 17, 2010

A LETTER OF EMOTIONS (Review)

Letters From Iwo Jima

Severity is a success when cinema portrays it in the form of war epics, usually in the lines of more familiar and popular perspectives. The mere lack of gentleness when blended with a lot of poignant scenes works extremely well with the audience and gives them no less than patriotic embankments in their hearts. More or less, that’s what the creators aim for and in most cases they achieve their goal. Moving out of the genre of action and adventure, war movies have carved out a place for themselves in cinema categories and each carries out its message or story in every different way than the other. Love, hatred, struggle, decisiveness and inexpressible sadness are some of the themes of the many battle stories exemplified on screen. It becomes a journey for the viewer while watching the epic and brings out emotions in its truest nature and leads the mind to reminisce the story again. Letters from Iwo Jima was indeed a long journey through war, sadness, love, anger and most importantly, kindness and forgiveness. Probably, a first time in Hollywood where a war involving America is not seen through the eyes of an American which when done tends to erase the picture of humanity on the enemies’ side. Director Clint Eastwood, gracefully understood the need for change and tells us the story of the island, Iwo Jima and how the Japanese army defended their home island from the marines. The complete narrative is from the Japanese point of view and tells how they fought bravely, a losing war against the massive American force. The director has taken three different standoff’s to state, that of the commanding general and two privates and the letters they write to home with the very little hope left inside them. But the most striking feature in the entire picture was, magnifying the human touch among both sides of the conflict. Clint Eastwood has etched out the scenes so intricately with all the subtleties required and helps us in understanding that it is only humans who fight wars and not emotionless beasts. The scene where the American soldier is treated by the Japanese even with very little medicine left is extremely intriguing, similar to the case where the Japanese patrol soldier is forced to shoot an innocent dog. The screenplay and editing is fascinatingly smooth as that of a spotless green pasture. Music though comparable to the lines of Thomas Newman, is neatly composed and sails along with the sequences. One another important fact of the movie was the use of the native Japanese language displaying the creative genuineness of the director. As the soldier in the movie understands that they are the same as that of the enemies in their feelings and emotions, it enlightens him and us too that wars are in a way fought for nothing. This is even more firmly supported with the final scene where Saigo is rescued by the marines and he looks out with a smile. Letters from Iwo Jima is indeed a letter to the world which conveys in the most definite sense a message, a message that says everyone is human and that part of gentleness cannot be erased even during critical times of warfare.